Collected This page has been added to your collection.
Subscribe to our RSS feeds

Clicking on subscribe will add an RSS feed into your default RSS reader.

Pages you have collected
4
Downloading your document Please provide us with your details before downloading your PDF.
*

* We promise not to pass your details on to anyone for any reason. For more details, please reaad our privacy policy.

Thank you.

Your document should download automatically.
If it doesn’t appear in your download queue, please click here.

Close
New Horizon Youth Centre
The New Horizon Youth Centre envisaged by Adam Khan brings a heightened sense of belonging to the homeless in a particularly gritty part of London. Khan has infused his design with ideas of convivially layered spaces, and emotional resonance.
 
Adam’s proposal for the New Horizon Youth Centre at King’s Cross, London, reveals an ambitious and thought-provoking response to the needs of the homeless and vulnerable youngsters who use the existing centre, which is currently on the ground floor of a housing block. Despite its basic nature, Khan was attracted to the centre because of the skill of the staff, the way they mixed easily with the youngsters, and the calm and relaxed atmosphere. In developing his design, Khan said that ‘the key element seemed to be the emotional security to be found in a welcoming home; a generous place that allowed users to find their own way of using the centre, and providing this for a shifting population of users whose principal need was for a calm and useful base from which to move on.’ Khan believes that ‘the idea of home is a deep emotional need in all of us, and architecture has a crucial contribution to make to this.
Clearly, the ersatz signals of homeliness and domesticity to be found in High Street coffee chains - the fake wood floors, the cheap sofas - are as unhelpful as the clichés of institutional youth centres: patronising bright colours, blizzards of A4 warnings, notices, rules and advice.’
 
 
Read more >

Instead, Khan’s proposal was based on spatial generosity; a subtle engineering, as he put it, ‘th allows elements to be used socially in many different ways to give a more fundamental sense of inhabiting a comfortable home. So the stairs would be over-wide, to let people sit on them, to read or have a chat. The kitchen bar could be used as a place to hang out, or as a simple stage for a role-playing workshop. And a long wooden table for eating or chatting ? simple and relaxed like a settled home. Different atmospheres communal or quiet, and even an escape to the roof. A big, calm house offering stability and security.’ And above it all, the first floor Big Barn Room. Here, Khan proposed a space with ‘a more emotionally intense and enveloping atmosphere. A lofty wooden room composed of softly folded planes which make reference to the Arts and Crafts language of nearby steeply pitched roofs. I think of it as a barn space that’s an exuberant home for the imagination, and play, day-dreaming and discussion.’