Workplace, Commercial + Hospitality
Landscape + Masterplanning

Bolshevik Factory

A decaying industrial landmark is reborn in a commercial development combining conservation, contemporary design and cultural programming

Information / data

Client: 01 Properties and The Tactics Group
Dates: 2012—2016
Architect and Landscape Architect: 
John McAslan + Partners

Consultants

Buro Happold

Equation

Assembly Studios

ETC Polska Sp

Spectrum

General Contractor:

Swarga


Awards

Winner

  • Landscape Institute Award, 2019
  • AIA International Region Awards, 2017
  • Best Office Awards, 2017
  • International Property Awards, 2016

Runner-up

  • Building Awards, 2017

Established in the 1880s, the confectionery and perfume factory was celebrated for its decorative architecture and for being Moscow’s first industrial complex with electric lighting; large crowds came to see illuminations on the ornate red and yellow brickwork, intended by architect Oscar Didio to resemble fancy biscuits. After decades of intensive use, however, production eventually moved away and the complex deteriorated. Roofs collapsed, masonry was crumbling and steel frames were heavily corroded. 

The design strategy therefore began with conservation. Using original drawings and detailed surveys, structurally and architecturally significant elements were identified and prioritised for retention. These included ornamental brick facades, cast-iron columns, vaulted ceilings, a ceremonial entrance stair and a tall chimney that marks the street frontage. Restoring these elements gave a unique identity to the new development while reducing material waste and embodied carbon.

Within the retained industrial buildings, generous floor-to-ceiling heights and large windows allowed the creation of flexible, loft-style office spaces with good daylight, natural ventilation and long views across the site. Thermal performance was upgraded discreetly, ensuring the historic fabric could meet contemporary comfort standards without visual compromise. Where additional floor area was required, unobtrusive new volumes were inserted between and above existing structures with the approval of conservation authorities. These are clad in dark grey aluminium, referencing the metal roofs of the old factory while clearly reading as a product of a different era.

New residential buildings occupy the north-west edge of the site, set around courtyards and away from the main road to create a calmer environment. Patterned facades of brick and stone echo the historic architecture.

Re-presenting history
Promoting public access and enjoyment of the city’s heritage were central ambitions of the developer, and of the masterplan. A significant contribution is made by a new cultural institution, the Museum of Russian Impressionism. Located deep inside the complex, on the site of a former sugar store, the purpose-built art gallery helps to draw visitors through the public areas, and acts as a landmark to aid orientation.

From a new entrance courtyard on Leningradsky Prospekt, visitors move through a long, landscaped courtyard framed by restored facades. Smaller, quieter gardens that branch off this main route are also open to all. The museum is positioned at the intersection of two large courtyards, and wrapped in a perforated metal skin that responds visibly to changing daylight and seasonal conditions. Inside, carefully controlled illumination shapes a choreographed visitor route, from a double-height foyer to spiralling stairs and flexible galleries above, with high-level views back across the factory.

The business community, residents and visiting public act collectively to restore life to the former factory – a district that remains active beyond office hours. Each benefits from the presence of the others in a development that secured high-profile tenants and widespread public approval: an Active Citizen poll of more than 225,000 Muscovites judged the conversion good or excellent.

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